Pepa says that she paints in a way rebolished in a unique and also transgressive way, just like her favorite painter, Francisco de Goya, did in the last creative stage marked by the dark and gloomy expressionism visible in her black paintings. She paints as she wants , without any limitation and since 1992 its tools are brooms, mops and buckets, tools that throughout history have been considered only feminine, used by women in the private spaces of the houses and away from the rationality and intelligence, according to patriarchy.

With them, along with his feet, some brushes and cardboard in various formats as a support, he manages to create on the floor of his workshop, without an easel or table, an explosion of abstract forms in constant experimentation, combining paint and water with your personal expression.

This is how Pepa becomes an expressionist and informalist abstraction painter, where she feels strong and sure of herself and where she gives herself to her painting with determination and freedom, creating a new expressive language where her unconscious has been released to form a maremágnum of colors, textures and stains full of energetic gestures. The authenticity and the force that it radiates, makes her constantly explore expressive paths and possibilities that make her unique while making a painting where the action is the connecting element between her and the surface with which she works.